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PBL3852 参数 Datasheet PDF下载

PBL3852图片预览
型号: PBL3852
PDF下载: 下载PDF文件 查看货源
内容描述: 通用传输电路 [Universal Transmission Circuit]
分类和应用:
文件页数/大小: 24 页 / 407 K
品牌: ERICSSON [ ERICSSON ]
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PBL 3852  
IL  
PBL 3852  
15  
2
V
+L  
R18  
R11  
R18  
Z
C8  
R9  
R11  
R19  
Zline  
V
TO  
RI  
+Line  
Z
in  
R17  
Zbal  
R7  
bal.  
R7 R17  
*
C
* To give receiver flat  
frequency response  
Zbal = R12 , R13 and C6  
Figure 24. Sidetone balance.  
Figure 25. Side tone network with complex R18.  
What is balancing the side  
tone ?  
To understand that balancing the side  
tone is needed to lower the amplitude  
that reaches ones own ear of the signal  
that is transmitted from ones own  
microphone to the line and that enters  
the receiver quite normally from the line.  
That in presence of a strong side tone  
signal one is disturbed by it and  
signals entering the balancing system  
from either direction, direct from  
microphone or via the line, is clipped will  
result in a very distorted signal entering  
the receiver amplifier and thus the  
earphone. Further, to remember that side balancing criteria.  
tone is a small signal that is the difference R17 is to set the receiver gain. (can be a  
of two large signals and that the distortion volume control potentiometer)  
can be up to ten times the fundamental  
The AC-signal at point c is now 1/10 of  
the signal on the line because it was  
further divided by two from point b.  
(R9Zbal).  
Hence 10 x R11 R18 to satisfy the  
frequency.  
Note #1 These values ensure that the  
frequency behaviour of the transmitter is  
not influenced. With the ratio 1/10 the  
influence is 1 dB, and with t ratio 1/20 it´s  
0.5 dB.  
Note #2 If the R9 is made low ohmic  
compared with Zbal, it will load the latter  
and result in a bad side tone perfomance,  
again if the R9 is made high ohmic  
compared with Zbal a low signal to  
balance the side tone will result and make  
the balancing difficult.  
instinctively lowers ones voice level, but  
again if the balance is too good (seldom  
the case) the earphone will feel ”dead”.  
In practical terms, what is expected, is  
the same amplitude of ones own voice in  
the ear as without the hand- set. The  
need to lower the side tone level where  
no balancing has been done is in the  
order of one power of ten (20 dB).  
To understand the principle both  
theoretically and practically. See text.  
Be sure to understand the balance that  
is influenced by outer factors like, the  
impedance of the line and the signal that  
enters the ear acoustically directly from  
the mouth through the handset. The  
signal that enters the microphone from  
the earphone acoustically will also  
influence the return loss.  
To understand the signal treatment  
that is at hand. In other words that the  
side tone network can be trimmed to  
form a veritable ”distortion analyser”, so  
that all the distortion that is present from  
the microphone even if it is small, will be  
the only signal entering the earphone.  
This will sound very bad. It is better to  
induce some of the fundamental  
frequency back by making the balance  
less perfect at that frequency. This is  
valid for a network that is trimmed to only  
one frequency. It is to strive to trim the  
network such that it will at all line  
A short guidance for under-  
standing the side tone  
principle (see fig. 26)  
Assume the line impedance to be 600.  
Z1 = Line impedance  
Z2 = The telephone set impedance 600Ω  
Z1//Z2 = 300Ω  
R7 will have a certain value 39 - 100to  
give the telephone a specified DC-  
characteristic.  
Assuming this DC-characteristic will  
require R7 = 60Hence it will be 1/5 of  
the Z1//Z2.  
This will also give 1/5 of the AC-signal  
that is on the line across R7.  
Note that the signals at points a and b are  
180 degrees off phase.  
Making any of the impedances  
unnecessary high will make the circuit  
sensitive to RFI. All values given here are  
approximate and serve as starting entities  
only. The final trimming of side tone  
network is a cut and try proposition  
because a part of the balance lies in the  
accoustical path between the microphone  
and earphone.  
10 x R7 R9 + Zbal  
R9 Zbal  
note #1  
note #2  
Telephone  
Line side  
set side  
a
1
17  
PBL 3852  
Tx  
b
Rx  
16  
2
15  
Z1  
Z2  
R9  
R11  
c
R18  
R12  
Zbal  
R13  
R17  
R7  
C6  
combinations attenuate the harmonics  
the same as the fundamental frequency.  
To understand that if one of the two  
Figure 26. The side tone suppression principle.  
17  
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